Cultural Revival Through Zero-Waste Fashion: Crochet in the Modern Design Narrative

Muhammad Muddasar Mehmood; Manila Afzal; Wajeeha Bakhtawar; Yousra Saleem; Hira Khalid; Muhammad Salman Arshad

doi:10.63056/

Authors

Muhammad Muddasar Mehmood PhD Scholar, Department of Clothing, National Textile University, Faisalabad Author
Manila Afzal Assistant Professor, Lahore College for Women University LCWU Lahore Author
Wajeeha Bakhtawar MSC (Hons) Clothing and Textiles, Visiting lecturer (GCWUF) Author
Yousra Saleem Assistant Professor, Institute of Art and Design, Government College University Faisalabad Author
Hira Khalid PhD Scholar, National Textile University, Faisalabad Author
Muhammad Salman Arshad Lecturer, Department of Business Administration, Superior University Author

DOI:

https://doi.org/10.63056/

Keywords:

Zero waste design, sustainable fashion, crochet revival, artisan collaboration, gender neutral garments, cultural preservation

Abstract

This study investigates how to creatively combine ancient crocheting methods with contemporary, eco-friendly fashion by repurposing denim waste. Focusing on crochet as a fundamental design and cultural component, the study reimagines this traditional handcraft in modern clothing designs that exhibit understated, marketable aesthetics. Through the collection of more than 20 kg of pre- and post-consumer denim from nearby sources and collaborations with rural women crocheters, the study produced twelve experimental design samples. Based on sustainability, functionality, and aesthetic appeal, four final clothes were chosen through comparative study. These gender-neutral designs combined hand-crocheted motifs with modular panel construction, signifying a fusion of artisan empowerment, zero-waste methods, and cultural rebirth. The project shows how waste materials may be turned into wearable representations of heritage and modernity through slow fashion and craft-led innovative thinking, all the while assuring a positive social and environmental impact.