Heritage in Stone An Analytical Perspective on Gandharan Art and Archaeo-Tourism Potential at Taxila Museum

Abstract

This study provides an analytical investigation of Gandharan art, with a particular emphasis on the ornate patterns found in stone sculptures held at the Taxila Museum.The investigation, which draws on archaeological data from key Gandharan sites such as Peshawar, Swat, Mardan, and eastern Afghanistan, investigate show artistic motifs including floral, geometric, and figurative elements reflect a synthesis of Hellenistic and Buddhist cultures. These decorative features, such as lotus, pipal and foliate designs, not only enhance the aesthetic appeal of the sculptures but also convey philosophical religious and cultural implications. The research highlights the enduring influence of Gandharan art, its cross-cultural influences with regions like the Gangetic valley, and its demand to modern scholars and tourists alike. Additionally, the paper critically measures the existing challenges fronting heritage conservation in Pakistan, highlighting the need for corresponding strategies to protection archaeological sites. It supports sustainable archaeo-tourism as a means of both preserving cultural heritage and promoting regional development.